May 15, 2019 @ 7:00 pm – 9:00 pm
Norwegian Institute at Athens
Tsami Karatasou 5
5th floor

On Wednesday, May 15, at 19:00 hours, Dr. Antonio Corso, member of the Society for the Archaeological Messenian Studies, will give a lecture titled:

The birth of the Arkadian dream in classical Greece

The lecture will take place at the Norwegian Institute at Athens, Tsami Karatasou 5, 5th floor (Koukaki).


Arcadia sitting on her mountain, wall painting in the Augusteum of Herculaneum

The idealization of meadows, groves and shepherds of Arcadia is a prolonged process which can be followed for a long period.
The starting point is a growing dislike for the life in the community, which is shared by several oligarchs already in the archaic period. This feeling is accompanied by the enjoyment for loneliness and by the love for environments far from the world of the polis. This alternative and much better world is identified with the region of Arcadia for the first time in the available evidence in the 11th Ode of Bacchylides: this poet narrates that the daughters of King Proetus become mad in the city of Argos, then they reach the forest of Arcadia and become again healthy and happy thanks to Artemis of Lusoi in her own sanctuary. References to Arcadia as an attractive world exist also in Pindar. In the late 5th and early 4th century, there is an eclipsis of this myth, because the oligarchs of the period prefer to transfer their dreams of an ideal world to the paradises of Persia, a process which peaks with the Kirou Paedia by Xenophon. However from around 380 BC onwards the Arcadian dream becomes visual: Kallisto, the daughter of King Lykaon of Arcadia, is often represented in vase painting and imagined to lay on meadows or groves, on an Arcadian mountain, near Artemis and her retinue and sometimes while she is about to become a bear. The manifesto of the Arcadian dream is constituted by a picture of Apelles that survives in a wall painting copy from the Augusteum of Herculaneum. Arcadia is seating on a rocky mountain, a basket of fruits symbolizes the abundance of the region, Pan playing his syrinx suggests the musical tradition of Arcadia, the eagle of Zeus, Herakles, Telephus and the Nemean lion convey the message that it is a divine land, inhabited by gods and heroes and that the myth still lives in this enchanted landscape. The poetic tradition of Arcadia as a magic mountain will begin around 320 thanks to the poetess Anyte of Tegea.